It’s not as though guitarist Bobby Broom hasn’t had meaningful encounters with pianists during his long and distinguished career. Still in his teens, the Harlem native got his startas a performing artist playing clubs with Charlie Parker alumni Al Haig and Walter Bishop, Jr. Dave Grusin contributed keyboardsto (and produced) Broom’s first two albums. And James Williams was instrumental in advancing his career, while Dr. John provided six years of meaningful employment. Then there were Chicago greats Willie Pickens, Jodie Christian, Earma Thompson, and Ramsey Lewis, who all supported him through the years.
But it had been many years leading up to his revelatory new album, Keyed Up – a tribute to great pianists featuring a future great in Justin Dillard – that Broom hooked up with a keyboardist on one of his recordings. Having established himself as one of the day’s great guitarists in bass and drum trio settings, why did he expand to a quartet this time around? Have a listen and find out!mosaic: Exploring Jewish Issues
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